Posts Tagged ‘oasis’

(From the 19th to 21st of April 2013, I attended the Coachella Music Festival in Indio, California, USA. More details on this trip can be found here. A number of South African media sources provided me with coverage for the event, and this article constitutes an introduction to the event and my trip. Each written source received a version of the article tailored to suit their website/newspaper, which has been presented here generically as “The Eagle’s Nest”. It is part 1 in a series of 5 articles, and should be seen in conjunction with the others.)

 

Nestled in the Coachella Valley of the California Desert is a glittering oasis that springs to life every April. Music and art are celebrated and expressed amidst the baking heat, bringing together pilgrims from all over the world. And the author will be one of the many making the exodus.

In its short 14-year history, The Coachella Valley Music and Arts Festival has established itself as one of the most highly-attended music festivals in the world. Evidence of this impressive reputation was seen in 2012’s edition, where over 80 000 people per day passed through the Empire Polo Club to get a taste from Coachella’s musical melting pot. By combining acts from multiple genres, ranging the mainstream right through to a more alternative flavour, the festival has built a strong, diverse following over the years.

And it’s not just the music that brings people there en masse. The event brings out the best that rock, indie, hip hop and electronic music genres have to offer, as well as sculpture and installation art from the visual arts community. Across several stages dotted around the polo grounds, fans can experience live music, ranging from the main Coachella Stage, and Outdoor Theatre, to the smaller Gobi, Mojave, and Sahara Tents.

Coachella is known for showcasing musical artists that are popular and well-established, as well as emerging artists and particularly, reunited groups. With the emergence of electronic dance music, world-class DJ acts have also found a place in the Coachella chemistry, increasing the popularity and diversity of this exciting festival.

Every April since 1999 (except for 2000), the Empire Polo Club grounds in Indio, California have played host to alternative and indie music’s desert royal ball. The likes of Radiohead, Oasis, Red Hot Chili Peppers, Muse, Beastie Boys, Arcade Fire, Rage Against The Machine, Kings of Leon, and The Black Keys are but a few of the many past headliners of the event, with each year providing a smorgasbord of support acts, numbering 190 by the 2012 edition.

 

The Empire Polo Club – host to the Coachella Music Festival

 

This year’s event will continue that tradition, with the iconic Red Hot Chili Peppers in a headlining role again, along with French indie rock band Phoenix, and the legendary Stone Roses. Due to increased demand over the late 2000s, the festival now rises up from the desert soil for two weekends per year, offering the same stellar line-up each weekend. Friday features British greats Blur and Johnny Marr, as well as exciting North American talent in Passion Pit, Band of Horses, and Japandroids. Saturday has the likes of The xx, New Order, Franz Ferdinand, and Biffy Clyro up its sleeve, whilst Sunday shows no signs of slowing down, placing Tame Impala, The Gaslight Anthem and Wu-Tang Clan on the bill.

Coachella offers onsite camping facilities for each weekend, allowing festival-goers to immerse themselves in the three-day experience. These facilities include showers, general stores, mobile phone charging stations, and an internet cafe with free Wi-Fi – all features to make the festival-going experience a thoroughly modern one. Sustainability initiatives also form part of the festival makeup, as organizers involve employees and attendees alike in reducing Coachella’s carbon footprint through recycling facilities, carpooling, and education on energy reduction.

The Eagle’s Nest will be receiving on-the-ground coverage during and after this year’s edition of Coachella, specifically the second weekend from the 19th to 21st of April. Readers will get a proudly South African perspective on a truly global festival, and how its cutting-edge, forward-thinking initiatives compare to our country’s current festival scene. Summaries of live performances from each of the three days will allow readers to vicariously enjoy the festival experience, and to discuss and share moments of musical magic.

Once again, this oasis will emerge, accompanied by gorgeous weather, beautiful scenery, and high-quality live music acts. This intrepid music journalist will soon be arriving in the Land of The Cactus and The Chorus, and it goes by the name of Coachella.

 

The Coachella Experience – coming soon to The Eagle's Nest

The Coachella Experience – coming soon to The Eagle’s Nest

 

(This article is taken from the old Eagle’s Nest site, originally published on the 22nd of March 2011. As the site was a part-time blog back then, this article was not necessarily written for professional purposes. In hindsight, this article in particular could do with a significant update, perhaps a ‘Part Two’, in the near future)

 

One aspect of music that I have a particular affinity for is acoustic covers of well-known songs, or by artists that I like. The idea of reinterpreting a piece of music and stripping it down to its core emotions gets me excited. The search to find these gems also makes it all the more worthwhile, as many of these performances are rather rare and difficult to find.

Due to the incredibly high-quality of technology used in music production today, it’s become easy to lose a sense of how good an artist is at performing live, which I’ve always considered a worthy barometer of talent measurement. Studio trickery and layered and/or Auto-tuned vocals can sometimes mask the real truth of an artist’s ability.

This is not to say that technology is bad and has no place in the music industry, because it definitely does have a place. Musical and technological innovations have gone hand-in-hand right from the start. Artists such as The Beatles and Jimi Hendrix eagerly and meticulously redefined what an artist could do in a studio, and embraced the many changes the recording industry was going through in the 1960’s (definitely enough for a whole other article!), and made music all the more creative and electrifying (excuse the pun) for the following decades. By the 1980’s, it was standard practice to play around with synthesizers, drum machines, samplers, etc, to add to your final mix.

 

Jimi Hendrix was notoriously picky in the studio, meticulously crafting his sound, which often left studio staff exasperated.

Jimi Hendrix was notoriously picky in the studio, meticulously crafting his sound, which often left studio staff exasperated.

 

But if you take a performer out of the comfort of his/her studio, or take away all the wonderful gadgets that make them listenable, will the magic still be there? Depending on what type of music they create (some, for example, make acoustic-based music anyway), this could be a colossal failure or a beautiful spectacle; an unmasking of the true artist within. If someone is worth his/her salt musically, they should be able to convey to you what they’re feeling inside in the simplest or grandest terms.

I saw an extreme example of this recently, when I watched a guitar documentary where Jack White (of The White Stripes) built a ‘guitar’ out of a block of wood, a glass bottle, some nails, wire, and a connecting system of some sort to electrify this poor-man’s attempt at an instrument. He then tried it out for a while, as it emitted a howling surge of noise, and afterwards, turned to the camera and said with a shrug, ‘Who said you even need to buy a guitar?’

 

 

Amateurs also have discovered the importance of the acoustic cover in contemporary music, not just the professional artists. If you search ‘acoustic cover’ on Youtube, you’re guaranteed to find a plethora of people, usually with just a guitar or piano, playing their own ‘unplugged’ versions of popular songs, whether they’re pop, rock, R&B or even hip-hop. It almost seems to be a rite of passage to be able know the chords to some teen pop-idol’s latest hit, and then to give your interpretation of it on the Internet. And you know what? I’m all for it.

Whether a musician is performing an acoustic cover of his own song, or of another’s, a little morsel of his soul gets put into the meal. And when a professional artist does so, there is an even greater chance of that performance turning into an aural banquet for the listener. Oftentimes the mood of the song is completely different from its original: a change from brash and outrageous to perhaps delicate and sensitive, yet still using the same words and chords. So, in addition to showcasing the artist’s actual vocal and/or instrumental skills, their flair for songwriting and arranging can also be given a chance to shine.

Here are some amateur and professional examples of acoustic covers that really sum up the ideals I’ve found in this sphere of music. In some cases, the line between amateur and professional is a little blurred, because some of these people have really good production values and obvious talent that needs to be discovered by a record label or rich investor! Some are studio recordings, but still acoustic versions, which must count for something. This is by no means a complete list of what’s worth checking it out; It’s just what I’ve been exposed to, or have the download links to show you. I’m sure every artist out there has had to do an acoustic recording at some point. What these type of recordings lack in complexity, they more than make up for in passion and emotion.

 

Amateurs:

 

1. Tyler Ward

This guy has built up quite a collection of covers, and guests to perform with him. I was introduced to his work by his cover of Lady Gaga’s latest hit ‘Born This Way’, which he performs with a girl named Alex G. Try out this one out for size:

 

2. Obadiah Parker’s cover of Outkast’s ‘Hey Ya’

This folk/pop group catapulted away from obscurity when in 2007, they released an acoustic cover of the hip hop smash hit by Outkast, ‘Hey Ya’. A tender, relaxed take on a very upbeat and funky song:

 

 

3. Boyce Avenue

Like Tyler Ward, this band have become Youtube sensations, with many of their videos having over a million views each. Specialising in acoustic covers, and now writing some of their own material in a similar style, they are an excellent example of how to use modern communication tools like the Internet to get your name out there.

Their most-viewed track, Linkin Park’s ‘Shadow Of The Day’, rightfully deserves that honour:

 

 

Professionals

 

1. MTV Unplugged Series

This MTV concert series began in the early 90’s and had some amazing acts of the day perform ‘unplugged’. Some memorable moments to check out include:

Eric Clapton in 1992, whose set was released as an album, selling over 10 million copies and earning him SIX Grammy Awards! Hectic stuff…

Bryan Adams’s 1997 set, of which that version of ‘Heaven’ will probably end up being my wedding song…

Nirvana’s legendary performance in 1993. Recorded only five months before Kurt Cobain’s death, the grunge trend-setters completely flipped their music on its head, showcasing a more sensitive side of Kurt’s vocals and guitar-playing.

Oasis’s infamous 1996 performance, at the height of their fame. Moments before going on stage, lead singer Liam Gallagher pulled out of the show, citing a sore throat. The band continued to perform despite this, with his brother, songwriter and guitarist Noel Gallagher, handling all the vocals, which earned him much critical praise. Liam watched the performance and heckled the group from a balcony. Some absolute classics here, such as ‘Wonderwall’ and ‘Don’t Look Back In Anger’.

 

The Unplugged series slowed down its recording schedule in the 2000’s, but lately, present-day artists such as Phoenix, Katy Perry, Adam Lambert, Vampire Weekend and Paramore have been contributing some lively performances.

 

 

2. An assortment of others that I have on my iPod

Due to the elusive nature of these performances, it’s quite difficult to have a nice catalogue of them on CD’s or on an iPod. Many artists choose to randomly play a hit of theirs acoustically at one of their countless concerts, or record a version on an obscure EP; therefore it’s easy to miss out, even if you’re a fan! So here’s a list of some interesting ones I have collected over the years:

 

  • Aerosmith – ‘Crazy’ (Piano Acoustic)
  • Fokofpolisiekar – ‘Hemel Op Die Platteland’ (Guitar Acoustic)
  • Foo Fighters – ‘Times Like These’ (Guitar Acoustic)
  • Incubus – ‘Stellar’ (Guitar Acoustic)
  • Johnny Cash – ‘Hurt’ (Originally by Nine Inch Nails – one of the best covers ever, off an album of covers he did before he died in 2003)
  • Linkin Park – Pushing Me Away (Live Acoustic – from Underground V6.0)
  • Relient K’s ‘Who I Am Hates Who I’ve Been’ and ‘Which To Bury: Us Or The Hatchet’ (Unplugged Versions off various EP’s)
  • Rihanna – Umbrella (Guitar Acoustic)
  • Tupac Shakur – Changes (Guitar Acoustic – rare version)

 

Whew, that’s enough for now! Now it’s your turn to go out there and search for these acoustic nuggets of treasure. Hopefully you’ll find that the magic is still there once the Auto-tune is turned off and the guitars are unplugged…